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Publicado por Sutton Pub Ltd, 1998
ISBN 10: 0750916451ISBN 13: 9780750916455
Librería: WorldofBooks, Goring-By-Sea, WS, Reino Unido
Libro
Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Más opciones de compra de otros vendedores en IberLibro
Usado desde EUR 2,58
Encuentre también Tapa dura Original o primera edición
Publicado por University of Texas Press, Austin, Texas, 1978
ISBN 10: 0292724268ISBN 13: 9780292724266
Librería: Adventures Underground, Richland, WA, Estados Unidos de America
Libro
Hard Cover. Condición: Good+. Estado de la sobrecubierta: Good+. Book shows some rubbing wear at edges with a faintly musty odor to book. Rubbing and scuffing to dust jacket with some tears at edges, crinkling at corners. Sun yellowing to jacket spine. Used Book.
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Usado desde EUR 11,48
Encuentre también Tapa dura Original o primera edición
Publicado por Steidl GmbH & Co. OHG, 2007
ISBN 10: 3865213634ISBN 13: 9783865213631
Librería: Better World Books: West, Reno, NV, Estados Unidos de America
Libro
Condición: Very Good. Pap/Cdr. Former library book; may include library markings. Used book that is in excellent condition. May show signs of wear or have minor defects.
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Nuevo desde EUR 34,96
Usado desde EUR 34,09
Encuentre también Tapa blanda Original o primera edición
Publicado por Sutton Publishing UK 1998. ISBN 0750916451., 1998
Librería: Alexander Fax Booksellers, Mawson, ACT, Australia
Hard cover dust wrapper 180pp b&w plates and some maps. Fine. During the Spanish Civil War, two young Welshmen volunteered to fight for their convictions, but on opposite sides. The bulk of this book comprises Frank Thomas' memoirs, which date from the immediate aftermath of his campaigns with the Spanish Foreign Legion during Franco's attempts to capture Madrid. As an appendix, is Sid Hamm's short diary which tells of his experiences fighting with the Republican International Brigade. These records present a unique perspective from Britons on opposide sides of this conflict.
Publicado por University of Texas Press, Austin, 1978
ISBN 10: 0806131853ISBN 13: 9780806131856
Librería: Old West Books (ABAA), St. Robert, MO, Estados Unidos de America
Libro Original o primera edición
Original Wraps. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. First Thus. 537 pages, photo. "These letters, collected and transcribed by Captain Robert Goldthwaite Carter in the 1870s, are among the finest primary sources on the daily life of the Union soldier in the Civil War. Robert and his three brothers all saw action with the Army of the Potomac under its various commanders, Generals McClellan, Burnside, Hooker, Meade, and Grant. At times in pairs but often in neighboring units, they fought on the battlefields of Bull Run, Antietam, Fredericksburg, Chancellorsville, Gettysburg, the Wilderness, and Petersburg.".
Publicado por Germany.Steidle .2007 Stated first edition., 2007
Librería: The Compulsive Collector, New York NY, NY, Estados Unidos de America
Libro Original o primera edición
Soft cover. Condición: Very Good. No Jacket. 1st Edition. Folio Black soft cover and white spine.Photo-illustrated.52 pages.very good copy.a CD is pasted onto back inside cover.Very scarce.
Publicado por Street & Smith, New York, 1956
Librería: Nessa Books, Hamilton, ON, Canada
Original o primera edición
Soft Covers. Condición: Very Good. Freas, Emsh, Freas Ilustrador. First Editions First Printings. -----The scans you see are the books you get. Tight square and clean, minor edge wear mainly to spine ends. Contents include: Double Star by Robert A. Heinlein (in 3 parts) / Clerical Error by Mark Clifton / The Last Thousand Miles by Dean McLaughlin / Silent Brother by Paul Janvier / Chains of Command by Reg Rhein / The Prisoner by Christopher Anvil / Exploration Team by Murray Leinster / "Man in the Sky" & "The Man Who Always Knew" by Algis Budrys / "Minor Ingredient" & "Legwork" by Eric Frank Russell / A Nice Little Niche by Herbert L. Cooper / The Dead Past by Isaac Asimov. Check out the scans.
Publicado por Steidl, 2007
ISBN 10: 3865213634ISBN 13: 9783865213631
Librería: Moe's Books, Berkeley, CA, Estados Unidos de America
Libro Original o primera edición
Softcover. Condición: Very good. No jacket. Includes CD-ROM in back. Some shelfwear.
Publicado por Steidl, 2004
Librería: Rotes Antiquariat, Berlin, Alemania
56 S. 4°, illustr. Orig.-Halbleinenbd u. 1 DVD. Dieses Fotobuch setzt sich aus Filmstills und -dialogen sowie einer DVD des restaurierten, 85-minütigen Films zusammen. - Me and My Brother war Robert Franks erster Spielfilm. Er wurde 1968 fertiggestellt und bei den Filmfestspielen von Venedig gezeigt. - In diesem Film gewährt Frank Einblick in die Subkultur der Beatniks. Die Protagonisten sind Allen Ginsbergs Lebensgefährte Peter Orlovsky und dessen schizophrener Bruder Julius, der kurz zuvor aus dem Krankenhaus entlassen wurde und nun mit Orlovsky die Beat-Szene durchstreift. Ginsberg, Orlovsky und Frank hatten bereits 1959 für den 28-minütigen Kurzfilm Pull My Daisy zusammengearbeitet. (Vgl. Filmwerkstatt Düsseldorf, Online-Zugriff am 15.03.2022.) Anhand der Fragen wer was spielt und was/wer real ist macht Frank deutlich, dass At times most of us are silently acting because it would be too painful not to act and too cruel to talk of the truth which exists. (Deckelschild.) - Joseph Chaikin, der als Schauspieler in dem Film mitwirkte, erlebte den Dreh als prägend für sein Handwerk und ging in seinem 1972 erschienenen, einflussreichen Band für die Schauspieltheorie The Presence of the Actor darauf ein (vgl. Dorinda Hulton, Joseph Chaikin. The Presence of the Actor, in: Studies in Theatre and Performance, Vol. 30, Iss. 2, 2010). - Originalverschweißt. 1300 gr.
Publicado por Steidl 2007, 2007
Librería: Peter J. Hadley Bookseller ABA ILAB, Ludlow, Reino Unido
Original o primera edición
Near Fine in publishers wrappers. 56pp + DVD (NTSC) at rear. Illustrated. 1st edition, 1st issue. Me and My Brother was Robert Franks first feature length film, completed and first shown in 1968 at the Venice Film Festival. Everything which had defined Franks art up to that point turns up in this film the look at America from the outside, the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skilfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against coloured. The story contains bizarre twists and turns, and appears to be a rather artless-filmwithinafilm being shown at a rundown movie theatre. This previously unpublished book includes stills and dialogue from Me and My Brother, together with a DVD of the re-edited 85 minute film. ISBN 9783865213631.
Librería: 5Uhr30, Köln, Alemania
Libro Original o primera edición
Condición: Wie neu. Steidl, Göttingen. 2007. First edition, first printing. New, mint, unread; still originally shrink-wrapped in publisher`s plastic foil. By the maker of 3 of the most important photobooks ever published: Les americains/The americans (Martin Parr, The Photobook , page 247), Flower Is (Martin Parr, The Photobook, page 264) and The Lines of my hand (Martin Parr, The Photobook, page 261). Paperback (as issued). 250 x 325 mm. 56 pages. Text in english. Perfect condition! Collector`s copy! "Me and My Brother was Robert Frank`s first feature length film, completed and first shown in 1968 at the Venice Film Festival. Everything which had defined Frank`s art up to that point turns up in this film - the look at America `from the outside`, the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater. This previously unpublished book includes stills and dialogue from Me and My Brother, together with a DVD of the re-edited 85 minute film." (from the publisher) Robert Frank was born in Zurich, Switzerland in 1924 and went to the United States in 1947. He is best known for his seminal book The Americans, first published in 1959, which gave rise to a distinct new art form in the photo-book, and his experimental film Pull My Daisy, made in 1959. His other important projects include the book Black White and Things (1954) the book Lines of My Hand (1972) and the film Cocksucker Blues (1972). Frank's work has been the subject of major exhibitions around the world and is included in many significant public and private collections. He divides his time between New York City and Nova Scotia, Canada.***************Steidl, Göttingen. 2007. Erstausgabe. Originalausgabe. Neu, ungelesen, verlagsfrisch; noch orginal-verpackt in der Plastikfolie des Verlages. Paperback (wie erschienen). 250 x 325 mm. 56 Seiten. Text in englischer Sprache. Perfekter Zustand! Sammler-Exemplar! Vom Macher drei der wichtigsten Fotobücher aller Zeiten: Les americains, The americans (Martin Parr, The Photobook, Seite 247), Flower Is (Martin Parr, The Photobook, Seite 264), The Lines of my hand (Martin Parr, The Photobook, Seite 261). Robert Frank, der 1924 in Zürich/Schweiz geboren wurde und 1947 in die USA ging, wurde weltberühmt für sein Buch "The Americans" erstmals erschienen 1959, und gilt heute als einer der wichtigsten Fotografen und Künstler der letzten 100 Jahre. Sprache: Englisch Gewicht in Gramm: 1600.
Librería: 5Uhr30, Köln, Alemania
Libro Original o primera edición
Condición: Wie neu. Steidl, Göttingen. 2008. First edition. New, mint, unseen. Still originally shrink-wrapped in publisher`s plastic foil. Three jewel cases in a sleeve. 130 x 210 mm. Photographs by Robert Frank. The films are: Vol 1: Pull My Daisy, 28 min, 1959. The Sin of Jesus, 37 min, 1961. Me and My Brother, 85 min, 1968. "Robert Frank's significant contribution to photography in the mid-twentieth century is unquestionable. His book, The Americans, is arguably the most important American photography publication of the post-World War II period, and his photography has spawned numerous disciples, as well as a rich critical literature. However, at the very moment Frank achieved the status of a 'star' at the end of the 1950s, he abandoned traditional still photography to become a filmmaker. He eventually returned to photography in the 1970s, but Frank, as a filmmaker, has remained a well-kept secret for almost four decades. Robert Frank The Complete Film Works fills a long overdue gap by presenting every one of Frank`s more than 25 films and videos, some of them classics of the New American Cinema of the 1950s and 1960s. Pull My Daisy is a 1959 short film that typifies the Beat Generation. Directed by Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided improvised narration. It starred Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo, Frank's then-infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, Daisy tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman's bohemian friends crash the party, with comic results. Pull My Daisy was praised for years as an improvisational masterpiece, until Leslie revealed in 1968 that the film was actually carefully planned, rehearsed, and directed by him and Frank. The Sin of Jesus was based on the story of Isaac Babel, a woman on a chicken farm who spends her days working at an egg-sorting machine. "I'm the only woman here." She is pregnant, her husband spends his days lying in bed, and his friends encourage him to go out on the town with them. The woman talks to herself as she works, lost in the monotony of human existence. She counts the passing days in the same way she counts eggs. Even extraordinary events, such as the appearance of Jesus Christ in the barn, go under the stream of this melancholy solipsism. Me and My Brother seems to be a rather artless-film-within-a-film being shown at a rundown movie theater. The story contains bizarre twists and turns: skillfully weaving together opposites, playing counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. This was Frank's first feature-length film work and it celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage. There is a method to this film's madness: It is so rich in text, quotes, music, and associations that keeping up with it through the underbrush of psyche, film, and urbanity is barely possible. Robert Frank was born in Zurich, Switzerland in 1924 and immigrated to the United States in 1947. He is best known for his seminal book The Americans, first published in 1959, which gave rise to a distinct new form in the photo-book, and his experimental film Pull My Daisy, made in 1959. Frank`s other important projects include the books Black White and Things, 1954, and Lines of My Hand, 1972, and the film Cocksucker Blues for the Rolling Stones, 1972. He divides his time between New York City and Nova Scotia, Canada." (from the publisher)***************Steidl, Göttingen. 2008. Erstauflage. Originalauflage. Neu, ungesehen, verlagsfrisch. Noch original-verschweißt in der Plastikfolie des Verlags. Drei DvDs in einer Filmrollen-Box mit Schuber. Bei den Filmen handelt es sich um: Vol 1: Pull My Daisy, 28 min, 1959. The Sin of Jesus, 37 min, 1961. Me and My Brother, 85 min, 1968. Robert Frank, geboren 1924 in Zürich, ging 1947 in die Vereinigten Staaten. 1958 erschien sein Buch The Americans, ein bahnbrechendes Werk, das aus ganz neuer Perspektive auf die Amerikaner blickte und die Ästhetik des Fotobuchs revolutionierte. Weitere seiner Bücher sind Black White and Things und The Lines of My Hand. Zu seinen wichtigsten Filmen zählen Pull My Daisy und Cocksucker Blues. Franks Arbeiten werden weltweit ausgestellt, zuletzt waren die "Storylines" im Tate Modern, London zu sehen. Robert Frank lebt in New York und im kanadischen Nova Scotia. Sprache: Englisch Gewicht in Gramm: 1600.
Publicado por Steidl, 2008
ISBN 10: 3865213650ISBN 13: 9783865213655
Librería: Antiquariat UEBUE, Zürich, Suiza
Libro Original o primera edición
Hörbuch (DVD). Condición: Sehr gut. 1. Auflage. Z : Three DVDs in film-roll box housed in a slipcase (13x19x4 cm) - Robert Frank and Alfred Leslie, Daisy was adapted by Jack Kerouac from the third act of a stage play he never finished entitled Beat Generation. Kerouac also provided improvised narration. It starred Allen Ginsberg, Gregory Corso, Larry Rivers, Peter Orlovsky, David Amram, Richard Bellamy, Alice Neel, Sally Gross and Pablo, Frank s then-infant son. Based on an incident in the life of Neal Cassady and his wife Carolyn, Daisy tells the story of a railway brakeman whose painter wife invites a respectable bishop over for dinner. However, the brakeman s bohemian friends crash the party, with comic results. Pull My Daisy was praised for years as an improvisational masterpiece, until Leslie revealed in 1968 that the film was actually carefully planned, rehearsed, and directed by him and Frank The Sin of Jesus was based on the story of Isaac Babel, a woman on a chicken farm who spends her days working at an egg-sorting machine. I m the only woman here. She is pregnant, her husband spends his days lying in bed, and his friends encourage him to go out on the town with them. The woman talks to herself as she works, lost in the monotony of human existence. She counts the passing days in the same way she counts eggs. Even extraordinary events, such as the appearance of Jesus Christ in the barn, go under the stream of this melancholy solipsism. Me and My Brother seems to be a rather artless-film-within-a-film being shown at a rundown movie theater. The story contains bizarre twists and turns: skillfully weaving together opposites, playing counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. This was Frank s first feature-length film work and it celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage. There is a method to this film s madness: It is so rich in text, quotes, music, and associations that keeping up with it through the underbrush of psyche, film, and urbanity is barely possible. -.
Publicado por The Crowell-Collier Publishing Company, USA, 1948
Librería: RareNonFiction, IOBA, Ladysmith, BC, Canada
Miembro de asociación: IOBA
Libro Original o primera edición
Single Issue Magazine. Condición: Good. Lidov, Arthur (cover); Skor, Walter; Conner, Mac; Richards, Walter; Brackett, Ward; Henry, Everett; Murphy, John Cullen; Hilbert, Bob; Seigel, Dink Ilustrador. First Edition. 94 pages. Articles: How Truman Did It; The Barbizon Hotel - For Women Only - article with nice photos; Dogs are Big Business; I Saw the Reds Taste Freedom - Col. Robert Bishop's dramatic recollection of Bucharest, Rumania's brief taste of liberty in 1944, with great photo; How to Give Money Away; My Life in a Cooking School. Fiction: You Can't Win 'em All!; Girl With a Horse for Sale; The Miracle of Tepayac; Make Something Happen; Passage to Panama (part 6 of 7). Aviation Features: My Story of the Wright Brothers; Cavalcade of Trnasportation; The Collier Trophy - for flight beyond the speed of sound - won by John Stack, Lawrence D. Bell and Captain Charles "Chuck" E. Yeager, USAF; Diary of the First Flight; Our Aerial Arsenal - great compilation of color illustrations of US military aircraft; ; The World the Kitty Hawk Made; Super color aerial photo of Niagara Falls with Rainbow Bridge in backbround. Illustration of basketball player George Mikan of the Minneapolis Lakers; Ads include: Nice color Canada Dry ad inside front cover; Martin 2-0-2 Airliner; Pan American World Airlines; American Airlines;; B.F. Goodrich; Plymouth cars; International Trucks; Douglas Aircraft - attractive military theme; Good Year's Cross -Wind Landing Wheel; TWA Airlines; Nice two-page color-photo ad for Hiram Walker's liquor; The 1949 Frazer car; Pabst beer features color photo of Mrs. Winston Guest; "Enchantment" movie starring David Niven; Bell Aircraft ad features illustrations of their helicopters and X-1 jet; Nice Coke ad on back cover shows Santa reaching into a fridge for a quick drink. Covers pulling from staples. Unmarked. Average wear. A worthy vintage copy.
Publicado por Contemporary Films, New York, 1969
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage reference photograph from the 1969 film, showing Robert Frank, Peter Orlovsky, and Allen Ginsberg. Printed mimeo snipe affixed to the verso, along with the stamp of Israel Film Archive. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.
Publicado por New Yorker Films, New York, 1969
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage studio still photograph taken on the set of the 1969 film, showing director Robert Frank capturing a passionate scene between two men. Stamp of photographer Tom Conroy on the verso. Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 10 x 8 inches. Near Fine.
Publicado por Contemporary Films, New York, 1969
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Vintage reference photograph from the 1969 film, showing Allen Ginsberg with Peter and Julius Orlovsky. Director Robert Frank's first feature film and Sam Shepard's screenwriting debut, following Frank as he accompanies poet Peter Orlovsky and Orlovsky's catatonic, mentally ill brother Julius through the late 1960s Beat scene. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin, pushing the boundaries of cinematic reality. The film was restored and released by Steidl in 2007, alongside a book publication outlining the film, which notes: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 8 x 10 inches. Near Fine.
Publicado por Two Faces / New Yorker Films, New York, 1969
Librería: Royal Books, Inc., ABAA, Baltimore, MD, Estados Unidos de America
Arte / Grabado / Póster
Vintage poster for the 1969 film, an experimental mix of documentary and fiction. Poster designed by Robert Frank. Director Robert Frank's first feature film, in which he follows poet Peter Orlvosky and his mentally ill brother Julius as they move through the late 1960s Beat scene, while Peter tries to care for his mostly catatonic brother. When Julius wanders off, he is replaced in the film by actor Joseph Chaikin. The film examines the boundaries of reality and sanity, and features the screenwriting debut of Sam Shepard and the first feature film appearance of Christopher Walken. The film was restored and released by Steidl in 2007, along with a book publication outlining the film. From the Steidl book: "Frank's feature debut was first screened in 1968 at the Venice Film Festival. Everything which had defined Frank's art up to that point turns up in this film - the look at America 'from the outside,' the poetic libertinage of the Beats, the marginal in a central role. It celebrates the return of the poetic essay as assemblage, the affirmation of the underground as a wild cinematic analysis in the form of a collage, and skillfully weaves together opposites, plays counterfeits against the authentic, pornography against poetry, acting against being, Beat cynicism against hippie romanticism, monochrome against colored. The story contains bizarre twists and turns, and appears to be a rather artless-film-within-a-film being shown at a rundown movie theater." 26.75 x 20.75 inches. Near Fine.