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Publicado por Aperture, 1977
ISBN 10: 0893810088ISBN 13: 9780893810085
Librería: ThriftBooks-Dallas, Dallas, TX, Estados Unidos de America
Libro
Paperback. Condición: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.4.
Publicado por Aperture, 1977
ISBN 10: 0893810088ISBN 13: 9780893810085
Librería: ThriftBooks-Atlanta, AUSTELL, GA, Estados Unidos de America
Libro
Paperback. Condición: Good. No Jacket. Missing dust jacket; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less 2.4.
Publicado por Aperture, 1977
ISBN 10: 0893810088ISBN 13: 9780893810085
Librería: Irish Booksellers, Portland, ME, Estados Unidos de America
Libro
Condición: Good. SHIPS FROM USA. Used books have different signs of use and do not include supplemental materials such as CDs, Dvds, Access Codes, charts or any other extra material. All used books might have various degrees of writing, highliting and wear and tear and possibly be an ex-library with the usual stickers and stamps. Dust Jackets are not guaranteed and when still present, they will have various degrees of tear and damage. All images are Stock Photos, not of the actual item. book.
Publicado por Aperture, New York, NY, 1977
ISBN 10: 0893810088ISBN 13: 9780893810085
Librería: S. Howlett-West Books (Member ABAA), Modesto, CA, Estados Unidos de America
Libro Original o primera edición
Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Very Good+. Illustrated by Lewis Hines Ilustrador. 1st Edition; 1st Printing. B&W Photographs; This book is in Near Fine condition and has a Very Good+ dust jacket. The book and its contents are in mostly clean, bright condition. There is some beginning rubbing to the spine ends and corners of the book covers. The text pages are clean and bright. The dust jacket is mostly crisp and clean, with the exception of some beginning bumping and wear to the spine ends and corners, along with a very small chip to the top rear panel. "In 1908, Hine became the photographer for the National Child Labor Committee (NCLC) , leaving his teaching position. Over the next decade, Hine documented child labor, with focus on the use of child labor in the Carolina Piedmont, [3] to aid the NCLC's lobbying efforts to end the practice. In 1913, he documented child laborers among cotton mill workers with a series of Francis Galton's composite portraits. Hine's work for the NCLC was often dangerous. As a photographer, he was frequently threatened with violence or even death by factory police and foremen. At the time, the immorality of child labor was meant to be hidden from the public. Photography was not only prohibited but also posed a serious threat to the industry. To gain entry to the mills, mines and factories, Hine was forced to assume many guises. At times he was a fire inspector, postcard vendor, bible salesman, or even an industrial photographer making a record of factory machinery. " (from Wikipedia).