The Scamp - Tapa blanda

An intense, riveting saga of ... a girl's determination to take control.

Thought you had a black sheep? Meet Rayelle's cousin.

Jennifer Pashley's debut novel The Scamp is pure grit: harsh, unsettling, impossible to ignore and impossible to shake off. . . It's rare to read about a female serial killer, and Pashley's debut . . . will become the gold standard.

Like the serial killer in her novel, Pashley takes the damaged bodies and souls of her characters, narrates to us the intimate details of their lives and the pain they've gone through, and then rebuilds them into gorgeous images of beauty, redemption, and repair. Then, and only then, are we ready to experience the dark revelations she has in store for them.

The Scamp is knife and velvet, tongue and bone. Its pages smell of pool water, trailer sex, and huffed gasoline; they taste of reservation cigarettes and peaches from the can. Jennifer Pashley tells the brutal, elegiac story of two girls on the move: broken, burning, and so dangerously beautiful. --Dylan Landis, author of Rainey Royal

Rayelle Reed can’t escape in her small town, where everyone knows everything and not enough: All the guys she slept with, but not the ones she loved. The baby she had out of wedlock with the pastor’s son, and how the baby died, but not the grief and guilt that consume her. At a motel bar, Rayelle meets Couper Gale, a freelance detective on a mission to investigate a rash of missing girls, and she tags along as an excuse to cross the state line. But when Couper’s investigation leads them to the mystery surrounding Rayelle’s runaway cousin Khaki, she finds she is heading straight back into everything she was hoping to leave behind.As fates become entwined, Rayelle must follow a haunted and twisted path—leading her toward a collision where loyalties will be betrayed, memories uncovered, and family bonds shattered. Unflinchingly dark and compelling, THE SCAMP confronts head-on the issues of family origins and the bonds between mothers, daughters, and sisters. It delves deep into the cycle of abuse and poverty, questioning, in the end, the value of any one life, child or adult.In Pashley’s hands, the lost girls of rural and industrial America, trapped in the unforgiving systems of government assistance and single parenthood, are portrayed with depth and nuance. She exposes the ingrained poverty and atmosphere of disillusionment that damns them before they have a chance and she gives them a ray of hope for a better life ahead.