Rainer On Film: Thirty Years of Film Writing in a Turbulent and Transformative Era - Tapa blanda

"Mr. Rainer has proved time and again to be an insightful and forthright critic, and this collection will be a valuable reference for any movie buff." --"The Christian Science Monitor" "This is at once an archive, a reference, and a contemporary collection of late 20th-century film criticism. An excellent resource for film studies scholars, this will also appeal to movie fanatics and pop culture readers." --Shannon Marie Robinson, "Library Journal" "No one is better than Peter Rainer at establishing the intersection of politics and popular culture....Reading these reports on our movie culture of the last thirty years allows us to sharpen our memories and emotions in a sweet blend of happiness and regret." --David Denby, "The New Yorker" Rainer on Film is the finest collection of film criticism in recent years -- literate, surprising, entertaining and a work to be treasured for years to come. The care with which he renders his opinions is exemplary and so is the grace with which he states them. I rarely disagree with Rainer and when I do I find myself arguing with myself and often enough changing my mind to my definite advantage. He is one of the very few critics who must be conjured with.--Richard Schickel, film critic and historian, author of Elia Kazan: A Biography "No one is better than Peter Rainer at establishing the intersection of politics and popular culture. Reading these reports on our movie culture of the last thirty years allows us to sharpen our memories and emotions in a sweet blend of happiness and regret." --David Denby, The New Yorker "With this compilation of reviews and essays, [Rainer] encourages us to revisit the highs and lows of the past thirty years--from the emergence of Curtis Hanson, Paul Thomas Anderson, and Spike Jonze to the quixotic careers of Marlon Brando and even Eddie Murphy." --Leonard Maltin, Indiewire.com "Rainer has one of the major attributes of a good film reviewer, which is a sense of visual context and a memory of it--as he watches a film by, say, Steven Spielberg, he does not just retain and describe strong imagery but relates it to images in other films. He reacts instantly--his reviews are good on the sheer excitement of the movies -- but artfully, even it seems, to a tight deadline. The arguments he immediately marshals against the overrated 'American Beauty' are well organized. He is tough-minded about pretension and emotional falseness....Rainer on Film meets the prime requirement of any collection of film reviews--once you have read it, you want to go and watch the films again."--Times Literary Supplement "Since Rainer, who is currently president of the National Society of Film Critics and film critic for The Christian Science Monitor, writes elegant prose, dipping into his sentences is always fun even when you might argue with his conclusions."--Aljean Harmetz, Indiewire.com "This is at once an archive, a reference, and a contemporary collection of late 20th-century film criticism. An excellent resource for film studies scholars, this will also appeal to movie fanatics and pop culture readers."--Shannon Marie Robinson, Library Journal "Mr. Rainer has proved time and again to be an insightful and forthright critic, and this collection will be a valuable reference for any movie buff."--The Christian Science Monitor "The measure of such a critic . . . lies in his power to engage a reader or listener in thoughtful and meaningful ways, to stimulate argument, to make one feel that what he has to say is worth paying attention to and being taken seriously, as well as to entertain. Measured by such criteria, Rainer stands tall."--William Wolf, WolfEntertainmentGuide.com "Persuasive, gracefully nuanced, unblinkingly honest verdicts on individual triumphs and failures. You'll understand my wholehearted salute to Peter's sturdy talent when you feast on the addictive pleasure of Rainer on Film." --Guy Flatley, Moviecrazed.com "Rainer's sharp, perceptive criticism . . . is marked by a passion for film, an encyclopedic knowledge of his subject, and a maverick sensibility."--Steven Rea, The Philadelphia Inquirer "At its core, this is a history of contemporary cinema; an insightful reflection on the evolution of the industry and the filmmakers who helped shape it."--Carley Johnson, Directors Guild of America "[Rainer on Film] is insightful, comprehensive, sometimes scathing, and often hilarious. It covers a lot of ground, and it's all great running turf for any movie buff." --Neil Pond, AmericanProfile.com "Rainer on Film" is the finest collection of film criticism in recent years -- literate, surprising, entertaining and a work to be treasured for years to come. The care with which he renders his opinions is exemplary and so is the grace with which he states them. I rarely disagree with Rainer and when I do I find myself arguing with myself and often enough changing my mind to my definite advantage. He is one of the very few critics who must be conjured with.--Richard Schickel, film critic and historian, author of "Elia Kazan: A Biography" "No one is better than Peter Rainer at establishing the intersection of politics and popular culture. Reading these reports on our movie culture of the last thirty years allows us to sharpen our memories and emotions in a sweet blend of happiness and regret." --David Denby, "The New Yorker" "With this compilation of reviews and essays, [Rainer] encourages us to revisit the highs and lows of the past thirty years--from the emergence of Curtis Hanson, Paul Thomas Anderson, and Spike Jonze to the quixotic careers of Marlon Brando and even Eddie Murphy." --Leonard Maltin, Indiewire.com "Rainer has one of the major attributes of a good film reviewer, which is a sense of visual context and a memory of it--as he watches a film by, say, Steven Spielberg, he does not just retain and describe strong imagery but relates it to images in other films. He reacts instantly--his reviews are good on the sheer excitement of the movies -- but artfully, even it seems, to a tight deadline. The arguments he immediately marshals against the overrated 'American Beauty' are well organized. He is tough-minded about pretension and emotional falseness...."Rainer on Film" meets the prime requirement of any collection of film reviews--once you have read it, you want to go and watch the films again."--"Times Literary Supplement" "Since Rainer, who is currently president of the National Society of Film Critics and film critic for The Ch "Since Rainer, who is currently president of the National Society of Film Critics and film critic for "The Christian Science Monitor," writes elegant prose, dipping into his sentences is always fun even when you might argue with his conclusions." --Aljean Harmetz, Indiewire.com "No one is better than Peter Rainer at establishing the intersection of politics and popular culture. Reading these reports on our movie culture of the last thirty years allows us to sharpen our memories and emotions in a sweet blend of happiness and regret." --David Denby, "The New Yorker" "This is at once an archive, a reference, and a contemporary collection of late 20th-century film criticism. An excellent resource for film studies scholars, this will also appeal to movie fanatics and pop culture readers." --Shannon Marie Robinson, "Library Journal" "With this compilation of reviews and essays, [Rainer] encourages us to revisit the highs and lows of the past thirty years--from the emergence of Curtis Hanson, Paul Thomas Anderson, and Spike Jonze to the quixotic careers of Marlon Brando and even Eddie Murphy." --Leonard Maltin, Indiewire.com "Mr. Rainer has proved time and again to be an insightful and forthright critic, and this collection will be a valuable reference for any movie buff." --"The Christian Science Monitor" "The measure of such a critic . . . lies in his power to engage a reader or listener in thoughtful and meaningful ways, to stimulate argument, to make one feel that what he has to say is worth paying attention to and being taken seriously, as well as to entertain. Measured by such criteria, Rainer stands tall." --William Wolf, WolfEntertainmentGuide.com "Persuasive, gracefully nuanced, unblinkingly honest verdicts on individual triumphs and failures. You'll understand my wholehearted salute to Peter's sturdy talent when you feast on the addictive pleasure of Rainer on Film." --Guy Flatley, Moviecrazed.com "Ra "The measure of such a critic . . . lies in his power to engage a reader or listener in thoughtful and meaningful ways, to stimulate argument, to make one feel that what he has to say is worth paying attention to and being taken seriously, as well as to entertain. Measured by such criteria Rainer stands tall." --William Wolf, www.wolfentertainmentguide.com "With this compilation of reviews and essays, [Rainer] encourages us to revisit the highs and lows of the past thirty years--from the emergence of Curtis Hanson, Paul Thomas Anderson, and Spike Jonze to the quixotic careers of Marlon Brando and even Eddie Murphy." --Leonard Maltin, Indiewire

From American Beauty (overrated) to The Night of the Hunter (masterpiece), this collection of Peter Rainer's film critiques spans the course of his illustrious 30-year career, which dates back to the early 1980s. Rainer covers films both well-known and obscure and writes in depth about many film auteurs - Stanley Kubrick, Alfred Hitchcock, the Coen Brothers, Mike Leigh - and up-and-comers, such as Sofia Coppola and Paul Thomas Anderson. The careers of actors ranging from Marlon Brando and Jessica Lange to Robert De Niro are also given an extensive examination.