Críticas:
"Many of my students sound forty years old. They are articulate but derivative, their own voices muffled by their desire to skip over their current age and experience, which they fear trivial, and land on some version of polished adulthood without passing Go. Marina was twenty-one and sounded twenty-one: a brainy twenty-one, a twenty-one who knew her way around the English language, a twenty-one who understood that there were few better subjects than being young and uncertain and starry-eyed and frustrated and hopeful. When she read her work aloud around our seminar table, it would make us snort with laughter, and then it would turn on a dime and break our hearts."--Anne Fadiman, Yale University Professor of English and Francis Writer in Residence and author of The Spirit Catches You and You Fall Down and Ex Libris
"In her brief life Marina Keegan managed to achieve a precocious literary mastery. Her wry, wise, lyrical voice is unforgettable, and her vital, exuberant spirit reminds us powerfully to seize the day. Though every sentence throbs with what might have been, this remarkable collection is ultimately joyful and inspiring, because it represents the wonder that she was."--J.R. Moehringer, Pulitzer Prize winner and New York Times bestselling author of The Tender Bar
"The writing Marina Keegan left behind offers a tantalizing taste of a literary voice still in development, yet already imbued with unusual insight, nuance, humor, and sensitivity."--Deborah Treisman, Fiction Editor, "The New Yorker"
"A triumph...Keegan was right to prod us all to reflect on what we seek from life."--Nicholas Kristof, "The New York Times"
"What a gift Keegan has left behind. Not only in her written words...but also in her legacy of social activism and fierce belief in leading a life of purpose, not privilege.--Joseph P. Kahn, Boston Globe
"Keegan's short stories are relatable and entertaining while her essays, including some of her op-eds from the Yale Daily News, showcase her work as an already accomplished writer. Young writers everywhere will look to her as an inspiration."--The Huffington Post
"I will never cease mourning the loss of my beloved former student Marina Keegan. This book gives partial evidence of the extraordinary promise that departed with her. Throughout she manifests authentic dramatic invention and narrative skill. Beyond all those, she makes a vital appeal to everyone in her generation not to waste their gifts in mere professionalism but instead to invest their youthful pride and exuberance both in self-development and in the improvement of our tormented society."--Harold Bloom, Sterling Professor of the Humanities and English, Yale University
"Funny, poignant, tender, and fiercely alive, 'The Opposite of Loneliness' contains the keen observations of a short lifetime--and the wisdom of a much longer one."--Jennifer DuBois, author of Cartwheel and A Partial History of Lost Causes
"Illuminates the optimism and neurosis felt by new grads everywhere. . .Like every millenial who's seen irony elevated to an art form, Keegan brings self-awareness to the collective insecurity of her peers even as she captures it with a precision that only comes from someone who feels it too. How unfortunate that she will never know the value readers will find in her work."--Publishers Weekly
"Two years after a young writer's death, her words soar. . . . The Opposite of Loneliness...sparkles with talent, humanity, and youth. The prose, polished but thoroughly unselfconscious, is heartbreaking evidence of what could have been."--O Magazine
Reseña del editor:
An affecting and hope-filled posthumous collection of essays and stories from the talented young Yale graduate whose title essay captured the world’s attention in 2012 and turned her into an icon for her generation.
An affecting and hope-filled posthumous collection of essays and stories from the talented young Yale graduate whose title essay captured the world’s attention in 2012 and turned her into an icon for her generation.
Marina Keegan’s star was on the rise when she graduated magna cum laude from Yale in May 2012. She had a play that was to be produced at the New York International Fringe Festival and a job waiting for her at the New Yorker. Tragically, five days after graduation, Marina died in a car crash.
As her family, friends, and classmates, deep in grief, joined to create a memorial service for Marina, her unforgettable last essay for the Yale Daily News, “The Opposite of Loneliness,” went viral, receiving more than 1.4 million hits. She had struck a chord.
Even though she was just twenty-two when she died, Marina left behind a rich, expansive trove of prose that, like her title essay, captures the hope, uncertainty, and possibility of her generation. The Opposite of Loneliness is an assemblage of Marina’s essays and stories that, like The Last Lecture, articulates the universal struggle that all of us face as we figure out what we aspire to be and how we can harness our talents to make an impact on the world.
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