Artículos relacionados a Reading the Book of Nature: A Phenomenological Study...

Reading the Book of Nature: A Phenomenological Study of Creative Expression in Science and Painting: 14 (Series in Continental Thought) - Tapa dura

 
9780821409084: Reading the Book of Nature: A Phenomenological Study of Creative Expression in Science and Painting: 14 (Series in Continental Thought)
Ver todas las copias de esta edición ISBN.
 
 
Book by Jones Edwin

"Sinopsis" puede pertenecer a otra edición de este libro.

Reseña del editor:
Edwin Jones sets out to show that a phenomenological analysis of meaning can contribute to a theory of creativity in several ways. It can clarify the concept of creative expression and resolve its paradoxical appearance. Creativity must have its roots in already existing meanings and at the same time has to generate new meanings. To illustrate, Jones shows that a phenomenological analysis can render more comprehensible the spiritual dilemma suffered by C\u00e9zanne. The artist could not render intellectually understandable to himself what he was attempting as an artist. A phenomenological approach shows, according to Jones, that the dilemma was generated in C\u00e9zanne's mind in part by a certain implicit Galilean concept of Nature that C\u00e9zanne brought to his work -- a concept that phenomenology has only recently begun to dispel by demonstrating a parallel between creativity in philosophy and creativity in art. Jones employs Heidegger and C\u00e9zanne as concrete examples and Husserl and Merleau-Ponty as other important elements in his essay. Ultimately, Jones argues for a parallel between creativity in science and philosophy, and creativity in the arts. His is an original synthesis of the work of the three thinkers he interprets and of C\u00e9zanne's late work, and his study should be of considerable interest to philosophers, art critics, and artists of a theoretical or reflective bent.

"Sobre este título" puede pertenecer a otra edición de este libro.

  • EditorialOhio University Press
  • Año de publicación1989
  • ISBN 10 0821409085
  • ISBN 13 9780821409084
  • EncuadernaciónTapa dura
  • Número de páginas178

Comprar nuevo

Ver este artículo

Gastos de envío: EUR 4,50
A Estados Unidos de America

Destinos, gastos y plazos de envío

Añadir al carrito

Los mejores resultados en AbeBooks

Imagen de archivo

Jones, Edwin
Publicado por Ohio University Press (1989)
ISBN 10: 0821409085 ISBN 13: 9780821409084
Nuevo Tapa dura Cantidad disponible: 1
Librería:
BennettBooksLtd
(North Las Vegas, NV, Estados Unidos de America)

Descripción Condición: New. New. In shrink wrap. Looks like an interesting title! 1.05. Nº de ref. del artículo: Q-0821409085

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 72,10
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 4,50
A Estados Unidos de America
Destinos, gastos y plazos de envío
Imagen de archivo

Edwin Jones
Publicado por Ohio University Press, Athens (1989)
ISBN 10: 0821409085 ISBN 13: 9780821409084
Nuevo Tapa dura Cantidad disponible: 1
Librería:
CitiRetail
(Stevenage, Reino Unido)

Descripción Hardcover. Condición: new. Hardcover. Edwin Jones sets out to show that a phenomenological analysis of meaning can contribute to a theory of creativity in several ways. It can clarify the concept of creative expression and resolve its paradoxical appearance. Creativity must have its roots in already existing meanings and at the same time has to generate new meanings.To illustrate, Jones shows that a phenomenological analysis can render more comprehensible the spiritual dilemma suffered by Cezanne. The artist could not render intellectually understandable to himself what he was attempting as an artist. A phenomenological approach shows, according to Jones, that the dilemma was generated in Cezannes mind in part by a certain implicit Galilean concept of Nature that Cezanne brought to his work a concept that phenomenology has only recently begun to dispel by demonstrating a parallel between creativity in philosophy and creativity in art. Jones employs Heidegger and Cezanne as concrete examples and Husserl and Merleau-Ponty as other important elements in his essay.Ultimately, Jones argues for a parallel between creativity in science and philosophy, and creativity in the arts. His is an original synthesis of the work of the three thinkers he interprets and of Cezannes late work, and his study should be of considerable interest to philosophers, art critics, and artists of a theoretical or reflective bent. Edwin Jones sets out to show that a phenomenological analysis of meaning can contribute to a theory of creativity in several ways. It can clarify the concept of creative expression and resolve its paradoxical appearance. Creativity must have its roots in already existing meanings and at the same time has to generate new meanings.To Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. Nº de ref. del artículo: 9780821409084

Más información sobre este vendedor | Contactar al vendedor

Comprar nuevo
EUR 102,20
Convertir moneda

Añadir al carrito

Gastos de envío: EUR 43,46
De Reino Unido a Estados Unidos de America
Destinos, gastos y plazos de envío