Friedrich (Art & ideas) - Tapa blanda

"An illuminating and jargon-free study of the son of a candle-maker who became the leading artist of German Romanticism."-Independent "Friedrich is revealed in this intelligent, beautiful monograph to be an artist of extraordinary scope."-Independent "Illuminating text... Excellent illustrations."-Sunday Times "An up-to-date, accessible overview of Friedrich's career that sets him in context, amply fulfilling the Art & Ideas series mission statement."-Galleries "Highly illuminating... Scholarly yet easy-to-read... Everyone keen to explore the relationship between art and faith should read this splendid book."-Baptist Times On the Art & Ideas series "Art & Ideas has broken new ground in making accessible authoritative views on periods, movements and concepts in art. As a series it represents a real advance in publishing."-Sir Nicholas Serota, Director, Tate London "The format is wonderful and offers what had long been missing in academic studies: usable manuals for specific themes or periods... I am definitely not alone in welcoming Art & Ideas as a precious set of teaching tools."-Joachim Pissarro, Yale University "Phaidon's series may prove to be the pick of the crop. It boasts expert but undogmatic texts and a wealth of illustrations."-The Sunday Telegraph

Caspar David Friedrich (1774-1840) is now recognized as a leading artist of the German Romantic movement of the early nineteenth century. He is known as the painter of images of a strange and compelling beauty: mysterious landscapes with barren trees, figures silhouetted against the evening sky, and gothic ruins in wintry mists. The meaning of these pictures has long been disputed, but William Vaughan argues that Friedrich's aim was to convey the spiritual experience of life. For Friedrich, the contemplation of nature can lead us to understand the deeper meaning of things. In this emphasis on feeling, and focus on landscape, Friedrich was very much the product of his times. In this captivating book, Vaughan discusses all aspects of the artist's life and career, from his childhood as the son of a soapmaker in Pomerania, to his adulthood in Dresden, where he achieved such fame that his paintings were bought by the Prussian royal family and the Russian Tsar. Friedrich's radical political sympathies, however, were to affect his reputation and, as the author reveals, it was only in the late twentieth century that the enigmatic quality of his paintings began to be fully valued and he gained truly international recognition.