The Girl on the Velvet Swing: Sex, Murder, and Madness at the Dawn of the Twentieth Century - Tapa dura

"Wickedly enjoyable and suddenly timely, Simon Baatz's The Girl on the Velvet Swing enthralled me from start to finish. The sprawling story, rendered with sure touches, encompasses the aspirations and vices of an entire era."--Laurence Bergreen, author of Capone

"Simon Baatz, author of For the Thrill of It, has shown himself once again the absolute master of the true crime genre. This book has everything: bad behavior in high places, a spectacularly public murder, courtroom drama, a daring escape, even a mother-in-law from hell. It reads like fiction, but it's all real. A wonderful book."--John Steele Gordon, author of An Empire of Wealth

"The Girl on the Velvet Swing is unceasingly engaging. This book is a must-read, particularly because of Baatz's spinning out of the successive trials and hearings, and because of his own surprising final assessment."--Leland Roth, author of American Architecture and the critical study "McKim, Mead & White"

"Readers will appreciate Baatz's exciting, novel-like approach, and those interested in early twentieth-century law especially will enjoy the courtroom scenes."--Booklist

"Simon Baatz has written a wickedly enjoyable book that enthralled me from start to finish. This multifaceted tale, rendered with an expert's touch, encompasses the aspirations and vices of an entire era."--Laurence Bergreen, author of Capone

"Simon Baatz, the absolute master of the true crime genre, has written another page-turner. This book has everything, bad behavior in high places, a spectacularly public murder, courtroom drama, a daring escape, even a mother-in-law from hell. It reads like fiction, but it's all real. A wonderful book."--John Steele Gordon, author of An Empire of Wealth

"The Girl on the Velvet Swing is a must-read, a book that is ceaselessly engaging, one surprise following another, even to the author's final assessment of Stanford White and his relationship to Evelyn Nesbit."--Leland Roth, author of American Architecture and the critical study "McKim, Mead & White"

"Simon Baatz takes readers on the strange and sensational legal odyssey of Harry Thaw, the Pittsburgh millionaire who murdered famed architect Stanford White in 1906. . . Baatz offers a detailed and assiduously researched account of the shocking crime and its aftermath, with a focus on the legal wrangling that dominated two trials."--Paula Uruburu, author of American Eve

"In his absorbing, well-written, and meticulously researched account of the murder of Stanford White, Simon Baatz delves deeper than ever before into the event's judicial, popular, and psychiatric dimensions and ramifications."--Mike Wallace, author of the Pulitzer Prize winning Gotham

"A terrifically entertaining work of popular history: swiftly paced, richly evocative, engrossing from the first page. . . . This vivid retelling of the 1906 murder of Stanford White couldn't be timelier. . . . The murder of Stanford White has been the subject of many other books [but] Baatz's gripping, deeply researched retelling is certain to stand as the definitive version."--Harold Schechter, Wall Street Journal

From New York Times bestselling author Simon Baatz, the first comprehensive account of the murder that shocked the world.
In 1901 Evelyn Nesbit, a chorus girl in the musical Florodora, dined alone with the architect Stanford White in his townhouse on 24th Street in New York. Nesbit, just sixteen years old, had recently moved to the city. White was forty-seven and a principal in the prominent architectural firm McKim, Mead & White. As the foremost architect of his day, he was a celebrity, responsible for designing countless landmark buildings in Manhattan. That evening, after drinking champagne, Nesbit lost consciousness and awoke to find herself naked in bed with White. Telltale spots of blood on the bed sheets told her that White had raped her.
She told no one about the rape until, several years later, she confided in Harry Thaw, the millionaire playboy who would later become her husband. Thaw, thirsting for revenge, shot and killed White in 1906 before hundreds of theatergoers during a performance in Madison Square Garden, a building that White had designed.
The trial was a sensation that gripped the nation. Most Americans agreed with Thaw that he had been justified in killing White, but the district attorney expected to send him to the electric chair. Evelyn Nesbit's testimony was so explicit and shocking that Theodore Roosevelt himself called on the newspapers not to print it verbatim. The murder of White cast a long shadow: Harry Thaw later attempted suicide, and Evelyn Nesbit struggled for many years to escape an addiction to cocaine. The Girl on the Velvet Swing, a tale of glamour, excess, and danger, is an immersive, fascinating look at an America dominated by men of outsize fortunes and by the women who were their victims.