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- EditorialYale University Press
- Año de publicación2024
- ISBN 10 0300273460
- ISBN 13 9780300273465
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Black Artists in America: From Civil Rights to the Bicentennial [Hardcover] Bernier, Celeste-Marie; Lovelle Jenkins, Earnestine and Simone, Alaina
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(2024)
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Descripción Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!. Nº de ref. del artículo: OTF-S-9780300273465
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Black Artists in America : From Civil Rights to the Bicentennial
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Yale University Press
(2024)
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ISBN 13: 9780300273465
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Black Artists in America: From Civil Rights to the Bicentennial (Hardback or Cased Book)
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Descripción Hardback or Cased Book. Condición: New. Black Artists in America: From Civil Rights to the Bicentennial 2.35. Book. Nº de ref. del artículo: BBS-9780300273465
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Black Artists in America: From Civil Rights to the Bicentennial by Bernier, Celeste-Marie, Lovelle Jenkins, Earnestine, Simone, Alaina [Hardcover ]
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Yale University Press
(2024)
ISBN 10: 0300273460
ISBN 13: 9780300273465
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Black Artists in America: From Civil Rights to the Bicentennial
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Yale University Press
(2024)
ISBN 10: 0300273460
ISBN 13: 9780300273465
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Black Artists in America: From Civil Rights to the Bicentennial
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Yale University Press
(2024)
ISBN 10: 0300273460
ISBN 13: 9780300273465
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Black Artists in America (Hardcover)
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Yale University Press
(2024)
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Descripción Hardcover. Condición: new. Hardcover. The second book in a three-volume series on Black American artists, featuring work from the 1950s to the 1970s that responded to the cultural, political, and social concerns of the era During the turbulent 1950s to 1970s, Black American artists, responding to increasing civil rights activism, challenged inequities in the art world. Artists created works that celebrated their racial identity, connected with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives, such as Spiral, and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics such as David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. The book features 140 color illustrations of paintings, sculptures, and works on paper by such celebrated artists as Romare Bearden, Sam Gilliam, Jacob Lawrence, Norman Lewis, Howardena Pindell, and Alma Thomas, as well as by under-recognized artists. Essays provide an overview of the period and in-depth examinations of James A. Porter, an artist and art historian credited with establishing the field of African American art history, and Merton D. Simpson, an abstract painter, member of the Spiral group, and one of the most important dealers of African art in the United States. Published in association with the Dixon Gallery and GardensExhibition Schedule:Dixon Gallery and Gardens, Memphis (October 22, 2023January 14, 2024) Crocker Art Museum, Sacramento (February 4May 19, 2024) The second book in a three-volume series on Black American artists, featuring work from the 1950s to the 1970s that responded to the cultural, political, and social concerns of the era Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9780300273465
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Black Artists in America
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Yale University Press 2024-01-05, New Haven
(2024)
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Descripción hardback. Condición: New. Language: ENG. Nº de ref. del artículo: 9780300273465
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Black Artists in America: From Civil Rights to the Bicentennial
Publicado por
Yale University Press
(2024)
ISBN 10: 0300273460
ISBN 13: 9780300273465
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Black Artists in America: From Civil Rights to the Bicentennial
Publicado por
Yale University Press January 2024
(2024)
ISBN 10: 0300273460
ISBN 13: 9780300273465
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Descripción Hardcover. Condición: New. The second book in a three-volume series on Black American artists, featuring work from the 1950s to the 1970s that responded to the cultural, political, and social concerns of the era During the turbulent 1950s to 1970s, Black American artists, responding to increasing civil rights activism, challenged inequities in the art world. Artists created works that celebrated their racial identity, connected with Black audiences, and participated in the struggle for political, economic, and social equality. The establishment of artist collectives, such as Spiral, and museums devoted to Black art, including the Studio Museum in Harlem, alongside the emergence of art historians and critics such as David Driskell and Linda Goode Bryant, marked early steps to bring Black art into broader artistic discourse. The book features 140 color illustrations of paintings, sculptures, and works on paper by such celebrated artists as Romare Bearden, Sam Gilliam, Jacob Lawrence, Norman Lewis, Howardena Pindell, and Alma Thomas, as well as by under-recognized artists. Essays provide an overview of the period and in-depth examinations of James A. Porter, an artist and art historian credited with establishing the field of African American art history, and Merton D. Simpson, an abstract painter, member of the Spiral group, and one of the most important dealers of African art in the United States. Published in association with the Dixon Gallery and Gardens Exhibition Schedule: Dixon Gallery and Gardens, Memphis (October 22, 2023-January 14, 2024) Crocker Art Museum, Sacramento (February 4-May 19, 2024) The second book in a three-volume series on Black American artists, featuring work from the 1950s to the 1970s that responded to the cultural, political, and social concerns of the era. Nº de ref. del artículo: 308174
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