How to Read a Film: The World of Movies, Media, Multimedia: Language, History, Theory - Tapa dura

*Praise for previous editions: "This book is a compliment to the reader....Monaco's spirit is gracious; he has a gift for making accumulations of detail relevant and uncluttered. His manner is modest and undidactic, and he is painstakingly scrupulous."--Samson Raphaelson, Film Comment "Anyone who writes about film, who is interested in film seriously, just has to have [Monaco's book]."--Richard Roud, Director, New York Film Festival "The best single work of its kind."--Richard Gilman "An astute and thoroughgoing analysis....Monaco is cuts above the popular 'criticism' of Reed, Kael, et al. He is lucid and sophisticated."--Publishers Weekly *Praise for previous editions: "This book is a compliment to the reader....Monaco's spirit is gracious; he has a gift for making accumulations of detail relevant and uncluttered. His manner is modest and undidactic, and he is painstakingly scrupulous."--Samson Raphaelson, Film Comment "Anyone who writes about film, who is interested in film seriously, just has to have [Monaco's book]."--Richard Roud, Director, New York Film Festival "The best single work of its kind."--Richard Gilman "An astute and thoroughgoing analysis....Monaco is cuts above the popular 'criticism' of Reed, Kael, et al. He is lucid and sophisticated."--Publishers Weekly *Praise for previous editions: "This book is a compliment to the reader....Monaco's spirit is gracious; he has a gift for making accumulations of detail relevant and uncluttered. His manner is modest and undidactic, and he is painstakingly scrupulous."--Samson Raphaelson, Film Comment "Anyone who writes about film, who is interested in film seriously, just has to have [Monaco's book]."--Richard Roud, Director, New York Film Festival "The best single work of its kind."--Richard Gilman "An astute and thoroughgoing analysis....Monaco is cuts above the popular 'criticism' of Reed, Kael, et al. He is lucid and sophisticated."--Publishers Weekly *Praise for previous editions: "This book is a compliment to the reader....Monaco's spirit is gracious; he has a gift for making accumulations of detail relevant and uncluttered. His manner is modest and undidactic, and he is painstakingly scrupulous."--Samson Raphaelson, Film Comment "Anyone who writes about film, who is interested in film seriously, just has to have [Monaco's book]."--Richard Roud, Director, New York Film Festival "The best single work of its kind."--Richard Gilman "An astute and thoroughgoing analysis....Monaco is cuts above the popular 'criticism' of Reed, Kael, et al. He is lucid and sophisticated."--Publishers Weekly *Praise for previous editions: "This book is a compliment to the reader....Monaco's spirit is gracious; he has a gift for making accumulations of detail relevant and uncluttered. His manner is modest and undidactic, and he is painstakingly scrupulous."--Samson Raphaelson, Film Comment "Anyone who writes about film, who is interested in film seriously, just has to have [Monaco's book]."--Richard Roud, Director, New York Film Festival "The best single work of its kind."--Richard Gilman "An astute and thoroughgoing analysis....Monaco is cuts above the popular 'criticism' of Reed, Kael, et al. He is lucid and sophisticated."--Publishers Weekly

First published in 1977, this popular book has become the source on film and media. Now, James Monaco offers a revised and rewritten third edition incorporating every major aspect of this dynamic medium right up to the present. Looking at film from many vantage points, How to Read a Film: Movies, Media, Multimedia explores the medium as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to such other narrative media as the novel, painting, photography, television, and even music, Monaco discusses those elements necessary to understand how films convey meaning and, more importantly, how we can best discern all that a film is attempting to communicate. In a key departure from the book's previous editions, the new and still-evolving digital context of film is now emphasized throughout How to Read a Film. A new chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. Monaco has likewise doubled the size and scope of his "Film and Media: A Chronology" appendix. The book also features a new introduction, an expanded bibliography, and hundreds of illustrative black-and-white film stills and diagrams. It is a must for all film students, media buffs, and movie fans.